Belén Landaluce

PROFESSIONAL EXPERIENCEARTISTIC TRAININGLANGUAGESSKILLS
THEATER
“DECAMERÓN” by Boccaccio. Dir. Jose Luis Corral in “Una habitación para soñar”. Corral de Comedia de Alcalá de Henares (2019).
“COMO GUSTÉIS” by Shakespeare. Main characther: Rosalind. Dir. Charo Amador. Teatro D’ella Pergola, Florencia (2019).
“LA GATOMAQUIA” by Lope de Vega. Dir. Laura Ferrer. Festival de Teatro Almagroff (2018).
“EL ÚLTIMO LUGAR” by Alejandro Pérez Portillo. Dir. Marco. Sala Valle-Inclán, RESAD (2018).
“NO YO” by Beckett. Dir. Charo Amador. Taller de Nuevas Dramaturgias. REDAD. (2018).
“ÁLBUM FAMILIAR” by Alonso de Santos. Dir. Nuria Alkorta. Sala Lorca. RESAD (2018).
“LA CENA DE LOS IDIOTAS”. Dir. Diego Landaluce. REDAD (2018).
“LA PENÚLTIMA” by Carolina África. Dir. Nieves Cisneros. RESAD (2018).
“HABLANDO” by Inma Correa. Dir. Aurora Parrilla. RESAD (2017).
“BARCO DE PAPEL” by Miguel Romero Esteo. Dir. Charo Amador. RESAD (2016).
“LOS DIEGOS” written and directed by Michael Wilson Caro. Lorca room. RESAD (2016).
“LA GAVIOTA” by Chéjov. Dir. Charo Amador. Teatro Casa de Vacas (2016).
“SABOR A MIEL” by Shelia Delaney. Dir. Charo Amador. RESAD (2015)

ADVERTISING
Advertisement starring Camilo José Cela University (2019).
“UNCONSCIOUS.” Video clip of Alex Gómez (2018).
“STEREO DISEASE”. Video clip of Amaro Ferreiro (2018).
CEPSA announcement (2018).
JOMA announcement (2017).
Announcement of the Radio Cadena Ser (2016).

OTHERS
“EL SÍ DE LAS NIÑAS”. (Paquita/Doña Francisca). Radio. Dir. Ernesto Arias for Editorial Bolchiro. 2018
“EL GRAN TEATRO DEL MUNDO”. (El Pobre). Radio. Dir. Vicente León for Editorial Bolchiro. 2018

Textual Interpretation at the Royal School of Dramatic Arts (2015 – 2019).
Workshop taught by Peter Stein at the META Festival in Florence (2019).
Workshop given by Yoshi Oida based on his book: The Invisible Actor at the META Festival in Florence (2019).
Workshop given by Joe Windley of the RADA at the META Festival in Florence (2019).
Improvisation workshop with the Imprebís Company. Direction of José Padilla (2018).

Spanish: Native
English: bilingual
French – medium level

ACCENTS
American
British
Irish
Venezuelan
Colombian

Fencing
Horse
Riding
Verse
Singing